18 October 2017

Hardwick

Hardwick New Hall (Wikipedia picture)
For the past few days, I have not been feeling too well. Bunged up with cold and not able to breathe easily. Some might call it "man flu" which is in my view a dumb and rather sexist way of describing a genuine male ailment.

On Sunday, in spite off my poorliness, Shirley I drove out of  the city. After passing through Chesterfield, we arrived in the north-east Derbyshire parish of Ault Hucknall. We parked near the eastern gates to an old country estate.
After donning  our boots, we set off through the gates and along a lengthy driveway. The temperature was pleasant for October and sunshine was beginning to burn off the early morning cloudiness. Sheep observed us from the trees.

Shortly we arrived at the two old halls that sit in the heart of the Hardwick Estate. There's Hardwick Old Hall and Hardwick New Hall. The former building was constructed in the early sixteenth century and the latter much later in that same century.
The initials "E.S." can be seen on the parapet
As we approached Hardwick New Hall, up on the stone  parapets somebody's initials were dominant - "E.S.". Who could that be? It was Elizabeth Shrewsbury - otherwise known as Bess of Hardwick (1527-1608). It was she who ordered the construction of Hardwick New Hall and no expense was spared. After all, she had become the second richest woman in England after Elizabeth I. By 1590, she could afford whatever she wanted. The building is partly notable because of the amount of glass that was used in its large windows. At the time, no other residential building in the world had lavished so much space or money on glass windows.
Bess of Hardwick's coat of arms in stone on the roof of the new hall
Partly because of the admission fees demanded by The National Trust and English Heritage, on this occasion we did not venture inside The New Hall or the ruinous Old Hall. Instead we continued our ramble through the country estate and back to the car. Soon we were quaffing refreshing drinks in "The Elm Tree Inn" in the nearby village of Heath.
St Mary's, Sutton Scarsdale
After this I took Shirley a mile further north to see the shell of Sutton Scarsdale Hall. A  service was just finishing in the adjacent St Mary's Church so we went inside. The vicar, whose name was Roy, kindly gave us a mini guided tour of the building. What most impressed me was the ninth century Saxon tombstone embedded in the floor with its symbol of a primitive scythe. It was very kind of Roy to talk to us and nice to meet a man who has a passionate and intimate knowledge of his local history - in particular the church and its historical associations.

By the time I got home I was, as my mother would have probably said, jiggered. What with the cold and everything, I had almost overdone it. A sensible person would have been spending the day resting on the sofa with a warm lemon drink and a box of tissues. Perhaps next time we will pay the hefty admission fees required to enter Hardwick New Hall. I shall start saving.
Shirley in the woods at Hardwick

17 October 2017

Consideration

Should a poem need explanation? Perhaps we really do "murder to dissect". After all, a poem isn't an extract from a washing machine manual. It isn't a financial statement. Some people think that poems are there to be decoded, translated, examined like specimens in a laboratory. I don't agree with or approve of such a mechanistic approach to poetry.

Nevertheless, I should like to reflect on yesterday's poem. And first of all I say thank you to Jennifer in Florence, South Carolina for attaching the curious word "liminal" to my first picture. It's not a word that is in everyday use. This is what a dictionary has to say about it:-
And yes. it was easy to see why Jennifer might have  seen the edge of the sea as such a place - a sort of limboland.

I thought of the lugworms as earthbound and of the seabirds as heavenly, soaring up into the blue. The human figures in the poem are therefore at a "boundary" between land sea and sky and perhaps also on the threshold of their own future with the past behind them.

There's a deliberate circularity in this poem as the end focus is again upon creatures that live at the edge. Like the shadowy human protagonists there is a connection between the worms in the sand and the birds. They also have a relationship.

Poems will often concern themselves with the very sound of words - echoes, half-rhymes, full rhymes and repetition. I wanted the personal pronoun "I" to stand alone in the fifth line - solitary upon the shore and in the ninth and tenth lines - "Along the margin/ Of that bay" I was consciously nodding to William Wordsworth and his "Daffodils".

Regarding the eleventh line, human life with all its baggage can be burdensome don't you think? We are forever "weighing" or assessing the "burdens" of memory, hope and conscience that we carry. In this we are dissimilar to  the lugworm and the seabird whose lives are more elemental, more driven by the moment. For them it is much easier and simpler to live in the liminal zone.

"Sky" in the second half of the poem chimes with "I" and "fly" in the first half.. "Shore" rhymes strongly with "soar" to seal the poem. There are plenty of "s" sounds to suggest the sound of the sea upon the sand and I like the image of those lugworm coils. I thought of "Spew their little coils" and "Pipe their little coils" but instead opted for "Leave" which has less anthropomorphic association. 

Sue said she never thought she would read a poem about lugworms. I am just pleased to have made a poem that contains lugworms. They are hidden from us in their burrows like the truth and the happiness we seek. There but not there in the liminal zone.

16 October 2017

14 October 2017

Help

When I was an English teacher in what is now my distant past, I noticed that many modern poetry books aimed at schoolchildren contained eye-catching photo-illustrations. Of course the idea was that the pictures would enhance appreciation of the poems. There would hopefully be a certain synergy between the image and the word.

In an idle moment, I had the idea of turning this process on its head in order to help some of my classes into poetry writing. To explain further - I presented them with pictures and asked them to write poems that would "fit" with these images - as if we were compiling our own poetry anthology before sending it off to the publishers.

Many of the resulting poems were excellent. It was as though the images had reduced creative inhibitions. Teenagers who might habitually retort, "I hate poetry...it's boring" found themselves creating little pieces of Literature that would have not looked out of place in a genuine anthology.

Well after that preamble, I think I shall write another poem for this humble Yorkshire blog and for the appreciation of its illustrious visitors. And just like my pupils I shall allow an image to be my muse. All five images that accompany the post were taken last weekend. 

Which picture do you think I should go with and if you were writing it what might your poem be "about"? Perhaps it wouldn't be "about" anything. You might be able to supply me with a creative spark.

Picture 1
 Picture 2
 Picture 3
 Picture 4
 Picture 5

13 October 2017

Choir

St Mary's, Sheffield - now a community centre
I have joined a non-religious choir. So far I have been to four Thursday night sessions. Perhaps ironically, these practice sessions are held in an old church that is no longer used for worship. It is now more of a community centre with a warren of rooms and corridors inside.

The choir has around thirty members. Three quarters of these are women. Most people have been with the choir for years. I think they were a bit surprised when I turned up out of the blue after visiting their website. Who is that guy? Is he a copper?

The songs we have been working on are all new to me. However, I have enjoyed those moments when the different voices have gelled  together in delicious harmonies. It's a good feeling to be part of something like that and I am starting to get used to the new songs and how the choir leader Janet breaks up sopranos, altos, tenors and the bass section to which I have gravitated.

The choir often performs in public but I haven't reached that point yet even though they keep saying - "You've got a great voice!" and "Come along!" etcetera.

The simplest song I have been learning is "You Won't Be Fracking Long" which is sung to the tune of "The Laughing Policeman". Instinctively, I am anti-fracking and I am disgusted by the bullying tactics used by government and fracking companies to push approvals through. Fracking is in my view a desperate, environmentally unfriendly way to squeeze yet more fossil fuel energy from our much-abused planet. It is surely not the way forward and I send out a cheer to the anti-fracking protesters at Kirby Misterton, North Yorkshire who are currently engaged in a long-running anti-fracking protest that has seen several local people arrested.

Here's The Red Leicester Choir singing that same song...

12 October 2017

Billion

Multiply this million pound palette by a thousand
At first, if I happened to win a billion pounds or found a billion pounds in a very, very large suitcase I wouldn't know what to do with it. However, I have already decided that I would spend some of the money buying gifts for blogging friends and acquaintances - to thank them for their kind association.

Working down my sidebar bloglist here are the gifts I am thinking of...

For ADDY at "Alcoholic Daze" a Japanese motorbike, tight red leathers and a helmet so that she can whizz more easily through the London traffic to visit her 94 year old mother in hospital.

For Jan Blawat near Sacramento in California a new Winnebago Vista to travel to shows across America with her poultry and not have to pay for hotel rooms.

For Libby at "D-Scribes" a long weekend away with her "Mister" in New York City with carers recruited to look after her aged parents while she's away.

For Jenny at "Demob Happy Teacher" a tartan shopping trolley so that she  can visit local shops and not have to lug heavy bags back home.

For Graham at "Eagleton Notes" a carbon fibre fishing rod and a basket of fishing gear so that he can fish from the rocks and beach near his home on the Isle of Lewis. His catches will help to supplement his meagre pension.

For Kylie at "Eclectica" who does so much good for other people, a voucher for $5000 AUS to be spent exclusively on herself at Sydney's top department store - arguably Myers.

For Meike in Ludwigsburg a fashion shoot with one of Germany's top fashion photographers and access to any clothes sold in the Breuninger department store in Stuttgart.
For John Gray in Trelawnyd, Wales a hefty cheque to cover the cost of revamping his kitchen and to provide Winnie with a lifetime's supply of frilly bulldog knickers (pink).

For Helen in Brisbane a pair of air tickets to anywhere she and her long-suffering husband Tony wish to travel next.

For Red in Red Deer, Canada a brand new pair of bespoke ice skates with "Red" picked out in glittering red sequins on the side of each boot.

For Hilly in Washington State a brand new Ford Escape SUV to get up and down the track to her rural retreat in the woods.

For Lee on Tamborine Mountain, Queensland I shall buy her the cabin she lives in with her furry companions - making the pompous owner an offer he can't refuse.

For Derek on The Isle of Sheppey there will be a brand new bike with a wicker basket on the front for his little dog to ride in when they visit the nature reserve.

For Jenny the Procrastinating Donkey in eastern Canada a brand new electric sewing machine.

For my old chum Bob in Georgia whose surname rhymes with "plague" I shall cover the costs incurred by visiting tradesmen such as a plumber, electrician, roofer or painter over the next five years. Optometrist costs will also be covered plus car maintenance.

For Steve in West Hampstead I shall buy three pairs of which ever walking boots his heart desires and damn the cost. He covers quite a few miles on his photo journeys. Also a diamond studded collar for Olga.

For Ian in Greater Manchester  an expertly framed map of Yorkshire (by Michael Drayton 1622) to hang above his fireplace and treasure.

For Jennifer author of  "Sparrow Tree Journal" in South Carolina and her husband Gregg I shall buy a week's holiday on the island of Barbados with luxury kennel expenses covered for her two dogs back home.

For Susan in rural France I shall buy a classic Citroen 2CV so that she can potter about the Gallic countryside with Rick or Paul sitting in the back. The car will be resprayed which ever colour Susan prefers.

For Terry in Hinckley, I shall cover taxi costs for a month so that he can go where ever he wants. The taxi will of course be wheelchair friendly with an adjustable ramp.

For Pat near Bellerby, North Yorkshire I shall cover all removal costs to her new home in Leyburn - when that move eventually happens! Also a large cut glass vase containing white roses to greet her in her new home.
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And when all that spending is done, I shall start to think of other ways of disposing of my giant windfall. There'll be a million for Oxfam, a million for The Labour Party and a million to support Friends of the Earth in their battle against fracking in the English countryside. I shall phone our two grown up kids to tell them to pick which ever London homes they want from Right Move. Then I'll take Shirley out for fish and chips - over which we will begin to plan our round the world trip.

11 October 2017

Filey

Filey Sands
Just down the coast from Scarborough you will find its little brother - Filey. For hundreds of years it was a significant fishing village - long before seaside tourism was conceived. There's still a slipway down by the beach called Coble Landing. A "coble" was a kind of fishing boat unique to this part of the Yorkshire coast.

On the way home from Scarborough we decided to drive into Filey. It was a lovely, sunny morning and we managed to get parked very close to Coble Landing. The outside temperature was unseasonably warm and the sea breeze was very light. I decided to go coatless as we set off along the beach to Filey Brigg.

I hadn't gone there since I was a teenager.
Filey Brigg
Harder layers with boulder clay above
Geologists would find the Brigg very interesting. Hard layers of sandstone and limestone are topped by a thirty foot layer of boulder clay that was pushed there by bulldozing ice sheets during the last Ice Age which began 1.8 million years ago.

The boulder clay is very susceptible to erosion by the sea but the underlying layers are more resistant and it is they that form the wave-battered point known as Filey Brigg. In stormy weather or high tides it is a dangerous place to ramble. Numerous people have been swept off the brigg over the centuries. Death by drowning is normally the only prospect.
On Old Quay Rocks - looking to Flamborough Head
Looking landward from Filey Brigg
The hut is a refuge in case of emergency.
After our walk to Filey Brigg we returned to the seafront and bought ice cream cones from a kiosk. We sat on a bench looking out to sea - basking in lovely sunshine on what would have been John Lennon's seventy seventh birthday...
Eating ice cream cones - looking out to Flamborough Head